For The Love Of

A Pottery Show | August 2023

Speck Gallery, Harrison Center for the Arts | Indianapolis, IN

 

 

Artist Statement

Written by Leah McMichael, story-teller and artistic collaborator.

This show started somewhere between Goose Pond and December hiking in Turkey Run. When the best branding is “Naptown” and “No Mean City,” it can take a while to see the loveliness of the place you live. But Indiana is beautiful. In months strung with marshland murmurations and swallowtails, old growth forests and glacier-carved ravines, Becca and I started to see.

Then came a rainy winter afternoon. I don’t remember what the bad climate news was—maybe just the portent of a long January downpour—but the sense of threat was dripping from the eaves. Becca got her sketchbook out. The duet pairings were some of the first ideas on paper, because it’s hard to dream alone about a better world. Lidded jars became urns, in the face of degraded land and species loss. We debated how to make a murmuration

As a writer and sustainability educator, I wondered if I could narrate this show with anything but dread. Bad news unfolds around us: erratic weather and smoke-thick air, struggling harvests and trashed parks and a list of endangered species that just keeps growing. My students ask if cleanups or compost matter when the problems are so big. 

But this precarious dazzling world keeps summoning love out through the smog of fear. Redwing blackbirds serenade beneath a wildfire sky. Drifts of blackberries bloom along Lake Michigan’s shore, foam dancing on the gray-green waters. A feast of summer light falls golden through the leaves. It calls us back, until Becca is shaping clay into mug and mirror and urn and Katheryn is sketching the creatures we stand to lose. Katie paints gold luster murmurations and watercolors reciprocity. And I get to write about all of it, how this making is a way to hold lament and hope together in the land we love. 

It’s also a way to imagine a future we want to see. Can you picture the rivers—our White River—flowing clean again, teeming with fish instead of sewage? Air it doesn’t hurt to breathe? Butterflies the elegant rule and not the exception of a summer’s day? Farm fields a riot of flower and fruit alongside familiar crops, healing the soil as they grow food enough for all? 

This show builds toward that last vision. Our friends at Falcon Creek Farm are planting native fruit and nut trees on their land. Elderberry, Aronia, Hazelnut and Serviceberry trees will build and stabilize soil, welcome more creatures of wing and earth, draw CO2 from the air, and extend the farm’s bounty. 5% of each purchase will go toward this sapling fund: the show growing up to be an orchard long after these pieces are scattered to their separate homes. 

There are a thousand, thousand ways to stand up for all we love. 

 

 

Click the images below to explore facets of For The Love Of!

Artist Statement

and Artist Bios

“…All We Stand To Save” Series

pottery practicing lament and love for our local places

“Feast of Damocles” Series

pottery re-telling an old story

“&” Series

pottery inviting us into the dance of reciprocity 

“Better Together” Series

pottery honoring plants, breath, and common life

“Murmuration” Series

pottery mirroring the wonder of flocks in flight

“Duets” Series

pottery celebrating the pairings that carry us through drought and springtime

BONUS TRACK: “A Thousand, Thousand Ways”

a practical booklet on protecting what we love

BONUS TRACK: “From Pottery Show to Orchard”

regenerative agriculture at falcon creek farm

 

 

Becca Ito

Ceramics are Becca’s way of telling about the world. Now in her 13th year as a potter, she savors the way that wild riverbank clay and the inferno of a wood-fired kiln converge on something as domestic and dependable as a coffee mug. The craft is both formal and intimate: the shape of a piece reflecting millennia of tradition, its inner curve ridged by her fingerprints.

For The Love Of is Becca’s fifth gallery show in storytelling collaboration with Leah, and the second in which she’s had the pleasure of working alongside her sister Katie. It brims with first-time partnerships too: Katheryn doing surface design, MaryEllen planting trees at Falcon Creek Farms, family and friends sanding reclaimed wood into shape for shelves. She hopes that this show built by so many hands invites people to dream together, lament together, and work together toward a future we all want to see. 

Becca teaches Latin at the Oaks Academy, continually surprised by the consonance between turning clay and a good turn of phrase. This summer she rediscovered the joys of kite-flying at Lake Michigan. She now travels with a kite in her car, awaiting favorable winds.

Leah McMichael

The writer of this show, Leah is also a sustainability educator, editor, and urban gardener. For The Love Of draws those strands together: in the midst of teaching on soil degradation and learning about the climate crisis, these months of creative collaboration have come as a gift. When she’s not writing grants or writing about ceramics, she’s likely to be found working on a novel, shooing her chickens out of the kale, or fermenting something in the kitchen.  This is the fifth pottery show she and Becca have plotted together.

Katheryn Pourcho

An artist and art educator, Katheryn breathed life into the creatures in the gallery. She sketched the black-and-white Species of Special Concern, and carved the endangered landscapes of the urns. Since childhood, Katheryn has enjoyed wading through creeks, pressing flowers, and forging paths in the woods. She received a Bachelor of Arts in Visual Arts Education from Ball State University. She studied oil painting under artists CW Mundy and Thomas Kegler. In 2020, she was named Indiana Teacher of the Year. Katheryn begins her 12th year of teaching elementary school art this Fall.

Katie Ito

Katie wielded her paintbrush to turn mugs to golden murmurations and mirror frames into a dance of reciprocity. For her, art-making is a small way of doing justice, of loving a world in peril without being overwhelmed by despair. She collaborated on Becca’s 2021 show In This Sign, so there’s a full-circle feeling to being back in a Harrison gallery. Katie graduated from Taylor this spring with a degree in Art Therapy. She’s now an Art Fellow and Artist-in-Residence at the Harrison Center. Known to cook at the slightest provocation, she’s spent the summer exploring the cathartic possibilities of an exploding-garlic dish she calls “Rage Ragù.”

 

 

Land Acknowledgement

As we work to protect Indiana’s beauty, we need to reckon with our history. Indianapolis occupies land stolen from the Miami, Potawatomi, Delaware, Shawnee, Peoria, and Kickapoo nations. All of these tribes were forcibly displaced to Oklahoma, where they carry on the fight for their identities and lives. Miami people also remain in Indiana. Illegally stripped of federal recognition in 1897, they continue to share their culture, history and language with their children and the wider world. Their tribal complex is located in Peru, Indiana.