Yesterday we hiked the valleys and hills of Cappadocia. “Hills” isn’t quite the right word for rock mounded and spired and folded like cloth, but a flatlander’s vocabulary lacks precision. Our guide Halil led us across cliff faces and into ancient churches, stopping to quiz us on plants or have us pick fruit on the way. The cliffs above the valleys were inhabited for centuries, houses carved into soft volcanic rock, and fruit trees still populate the valley floor. We ate plums, apples and grapes.
The volcanic rock that makes such fantastic landscapes is not fertile. Halil pointed out dovecotes carved high in the cliffs. People made nests for pigeons to come and raise their young. They fed the birds and offered them protection. In return, pigeon dung enriched their fields. I love the reciprocal benefits of that arrangement—and the idea of flocks that fly in such a vertiginous world. We saw ancient beehives, too.
I was adding gleefully to my plant catalogue, of course: the olive lookalike called silverberry, which flowers yellow in May to perfume the valleys. Wild roses now set with rosehips. The autumn-withered leaves of what look like tulips—tulips were first cultivated in Turkey, not Holland, and the wild tulip is native to the land around Amasya. Wild garlic gone to seed and feathering asparagus, and wildflowers for which I had no name. We saw a hummingbird hawk moth, too: the insect lookalike of a baby hummingbird. Lizards skittered away across warm rocks. Wind hissed through the spires and rattled the bracken, sometimes raising the white dust in clouds. My delight in such details is boundless: this is how you build a world.
The people who lived in the cliffs also worshiped there. Halil took us to cave churches. The church from the 8th century was built by Iconoclasts, and the fresco around the Cross was strictly one of geometric designs. The 11th century church looked like a pigeon house from outside. The inside was columned and capacious, with dust swirling through shafts of light.
Halil helped us scramble across a cliff and past a wrecked bridge to reach the last church. Its frescoes were tattered, the eyes and much else scraped away by worshipers in search of good luck charms. But the remaining paint was vivid. The church was from the 5th century, made within a hundred years of Macrina’s life. I’ve never touched a thing so close to her in time. The way the cloth pleats above the feet in the crowd of apostles and saints, the shape of the cross—these are the colors of her world.
I grinned the whole way down the mountain.
Leah doesn’t remember much about this church, having rung the doorframe like a bell upon entry. It’s likely 8th or 9th century.